Carto-City by Denis Cosgrove
Gazetteer G: Territory Maps
Signal Failure by Paul Elliman
Cerebral Cities by Tom Vanderbilt
Perils of Precision by Rebecca Ross
Gazetteer H: Territory Maps
Mapping the Homunculus, by Steve Dietz
Images/Matter, Peter Hall talks to Mike Silver
Map Quest by Peter Walsh
Contested Terrain, Steven Zacks talks to Eyal Weizman
World in Motion & The Other Final by Cathy Lang Ho
The Sirens of Venice by Paul Elliman
Carto-City
Never innocent guides, city maps have always shaped the experience of
urban space, serving both as scientific instruments and aesthetic
representations of the city.
Denis Cosgrove traces the history of urban
cartography and its techniques, from the grid to the aerial perspective
to contemporary digital mapping technologies.
The goal of rendering legible the complex, dynamic and living entity that is a city remains an urgent one. But today's acute awareness that cartographic images can never be innocent vehicles of information dissolves neat distinctions between celebratory and regulatory urban maps. Urban space and cartographic space remain inseparable; as each is transformed their relationship alters.
Fritz Lang's Metropolis might seem a more relevant depiction of life beneath the city to current users of the London Underground...from the impressive scale and expertise of its ageing engineering, to its over-crowded and under-funded stations and trains...
The city-as-machine metaphor has been superseded by the city-as-computer-network. And yet, as any regular commuter knows, if the city is a machine (even a computerized one) it remains the most vulnerable kind--a web of intricate parts, liable to break down at any moment. In spite of this, official graphic representations continue to portray the modern city as a technology of the highest efficiency...
This map corresponds automatically with life in the city as its residents simultaneously create and experience it. One participant, training for the marathon, continuously looped the same path, reinforcing his accumulated miles by thickening the lines that define his route as a place on the map. Others wandered more freely about lesser known streets and alleyways, their movement collected as more delicate lines.The form of the map is reclaimed by the same basic paradoxes and gesures that define the city...
What would it mean to say that a map is more human-made because it incorporates the participation of many people? Might it even increase its claim to accuracy?
At Saint-Die, ...Waldseemuller was part of a small intellectual community in touch with the latest ideas and technologies. Its central treasure was a printing press, then a new and thrilling invention. The printed map was a major step in the development of modern cartography, making possible wide distribution of multiple, identical copies of maps, no longer subject to the errors copyists intoduced into hand-drawn images.
We needed to analyze the organization of the settlements as a regional network, and look at its effects on daily life. There's a different perspective when you move from a political critique to a human rights one, and the shift requreed a new tool.. But drawing the map, we could work backwards from the form to answer some questions: why the space is organized the way it is, how the work of architects and planners causes the material damage that is apparent...
A map is not absolute: the power it represents can never be perfect. It can be constantly subverted and challenged.